第六代电影的大众接受:缺失与反思
周成龙[1]
摘要：第六代电影过分沉迷于自我叙述和记录现实两种极端个人化的叙事模式，给中国观众的接受造成了障碍。同时由于中国电影制作放映发行体制的影响和中国观众诸多主观因素的作用，第六代电影在大众接受上产生了严重的缺失。
在中国加入WTO后，第六代电影应抓住中国文化形态的变化，以其对底层小人物的关注和平民心态，用其回归传统的修辞手法，更多的吸引中国观众的关注。同时第六代电影人也要关注中国新大众的阶层变化，注重他们审美取向的走向，用自己的“城市”语言来书写新的人生和新的世界，来契合新大众的审美要求。
关键词：第六代电影；大众接受；缺失；反思
The sixth generation of movie’s populace’s acceptance: Imperfection ＆ Reconsidering
Zhou Chenglong
Abstract: Indulging excessively in the self-narration and the recording reality---two kinds of extreme narrative pattern in personalization, the sixth generations of movie made it difficult for Chinese audience to understand. At the same time with the influence of the Chinese film-making and showing release system and the functions of the Chinese audience’s many subjective factors, the sixth generation of movie gave birth to serious imperfection in the acceptance of the populace.
After China ’s entrance to WTO, the sixth generation of movie should get hold of the changes of the Chinese culture shape to attract the Chinese audience's attention better by its attention to the unimportant person on the first floor and the peaceful people’s point of view with its rhetoric technique of regressive tradition. At the same time the sixth generation of movie maker should also pay attention to the Chinese new populace's social stratum change and the trend of their aesthetic orientation to make out the new life and the new world with their own city language, which is correspond to the new populace's aesthetic request.
Key words: the sixth generation of movie; populace’s acceptance; imperfection; reconsidering
引言
中国第六代电影经过多年代磨练，已经取得了长足的发展，给中国影坛带来了巨大的影响，也给中国观众留下了深刻的印象。但是由于其自身的原因和中国电影体制的环境因素，第六代电影的发展还有许多不尽如人意之处，特别是其在大众接受的问题上更是需要反思。同时学术界给与第六代电影以很大的关注，从多个方面解析了第六代电影，给我分析评价第六代电影的大众接受问题提供了充足的理论知识和学习条件。
第六代电影更加关注作为个体的人在整个社会流变下所处的状态和内心世界；小场景、生活的切片成为第六代电影常用的镜头语言。第六代电影过分沉迷于自我叙述和记录现实两种极端个人化的叙事模式，给中国观众的接受造成了障碍。同时由于中国电影制作放映发行体制的影响和中国观众诸多主观因素的作用，第六代电影在大众接受上产生了严重的缺失。
